Plaudits: Washingtonian 2011 #8, Washingtonian 2010 #10, Washingtonian 2009 #4, Nominated 2010 RAMMY, Washington Post’s 2009 Fall Dining Guide
Neighborhood:
Southwest
The Setup
For my birthday, Official Girlfriend of DCWD Texas planned an elaborate day’s adventure for us, culminating in a dinner reservation at one of the last Top 10 restaurants left on my list: CityZen.
The Vibe

CityZen sits to one side of the Mandarin Oriental Hotel. To one side as you walk in is a small lounge area of couches, to the other a bar with a few cocktail tables and the main dining area beyond. The room is dim (an understatement at best), with the only light coming from glass votive-holding candelabras above.
The main room is a sea of beige and browns, with a row of marble tiled columns separating the row of two-top half-booths from the rest of the fours in the center. At the far end is the open kitchen, which remains in view for most of the dining area (though sadly, not our seats). It’s a contemporary room, but one with a distinct feel of traditional white-cloth restaurant values: the men in jackets and put-together women over soft candle-lit dinner sort-of-thing.
The service was something to be noted. Overhearing that it was my birthday, they sent over a tiny birthday cupcake and a card signed by the staff. Very nice.
The Food
It being my birthday, Texas and I decided on the tasting menus, six courses with pairing. Of note, was that the restaurant had a separate vegetarian tasting menu, which rather than trying to plug eggplants into where meat was on the regular tasting menu, was an entirely separate affair. So for this instance, pescetarian Texas and I went dual routes.
First up for her was a salad of
Japanese yam, kohlrabi, orange, and wilted spinach salad, topped with tapioca balls, sesame, and espelette pepper (pairing, 2009 Kurt Darting gewürztraminer from Germany). Despite the seemingly mish-mashed ingredients, things flowed relatively well together, highlighted by textural shifts between the kohlrabi and basically everything else, and a strong note of citrus. Overall though, interesting without being overly memorable.
My starter on the other hand was a little bit more noteworthy: a play on breakfast food with a soft boiled egg and
ham flecks with leeks in a ham broth (pairing, a 2006 Marc Sorrel marsanne/roussane from Hermitage, France). This dish was dominated by the ham, and specifically the flavor of salt. The distinct taste of cured prosciutto was
amplified by similar notes in the foam/broth, offset by the pure taste of yolky gooeyness from the egg. Fun.
Second for Texas was her favorite dish of the night: a pickled heirloom pepper arepa topped with a poached quail egg in a green tomato coulis (pairing, 2005 Ramey chardonnay from Napa). It’s obvious why this attracted so much attention from her: the flavor profile was patently Tex-Mex, with the coulis tasting much like tomatillo sauce, and the arepa just the right balance between crispy and soft.
On the other side was my least favorite dish of the night: a lobster “cream puff,” made by placing chilled lobster salad in the middle of an oversized gougere and lathered with lobster newburg sauce (paired with the same chardonnay as Texas). I love all these ingredients, but all the positive notes were drowned out by others; the
overwhelming sensation was one of “this is too cold,” and the gougere was a flavorless and dry version of an otherwise favorite bite of mine. Where was the gruyere flavor? I feel robbed.
Next up in the vegetarian tasting menu was a pearl barley and butternut squash risotto in a spiced tamarind broth
(with 2008 La Follette pinot noir from Sonoma). The risotto was actually a little bit soupy in its consistency, reminding Texas of some sort of tomato bisque. Luckily, she actually likes tomato soup so this worked for her. Perfectly decent, but still a step downwards from the course before.
On my end was a pan-roasted crepinette of turbot, with apples and chanterelles in a red wine and foie gras
vinaigrette (pairing, a 2007 Escoda-Sanahuja granache/sumoll blend from Spain). I’ll say this, turbot is not my favorite fish. But the pairing with apples was a great introduction of sweet into the dish, and mixed well with the
vinaigrette (even if the foie gras notes were minor).
Fourth for Texas was vanilla-braised abalone mushroom, served with fennel tempura, melted leek, and an almond pudding (pairing, 2009 Lella Romana, a fiano di Avellino from Conca de Barbera Spain. Texas appreciated this very much, since the braise on the mushroom reminded her of meat. On my part, I thought it was an interesting mix of flavors, but nothing super memorable.
My dish was a stew of corned veal tongue, green tomato, pickled pepper, and fried okra (pairing, a 2001 Marques
de Murrieta tempranillo from Rioja). I’d been chasing good beef tongue since my amazing turn with it at Eataly in NYC (spectrumed by a fairly good version at Sushi Taro, and a horribly chewy attempt in a taco at El Centro D.F.). This surpassed the original, by layering the divinely tender tongue with amazing Southern flavors, adding sharpness and a little bit of piquant. I might have dreams about this dish.

Coming as the penultimate course for Texas was a play on beef borguignonne replete with autumn root vegetables
and a red wine sauce, but with the meat replaced with braised cassava (pairing,
a 2006 Escoda-Sanabaja cabernet franc/merlot blend from France). Texas knows
cassava well, having spent a good amount of time in Southern Africa, where the
root vegetable is a staple. Here’s something she knows from that experience:
cassava is incredibly difficult to change from a starchy, tough-to-chew tuber
to basically anything else. So rather than mimic the traditionally tender beef
in the dish, it was just unappetizing. In stark contrast to the rest of
vegetarian menu, this was one where the kitchen tried to sub a vegetable into a
meat dish (the eggplant-as-meat trend we noted earlier). And sadly, it failed.
But where Texas’s experience was of
disappointment, my final entrée was one of delight. Small portions of
slow-cooked Wagyu beef sidled next to beef tartare, with heirloom beets and a
tomato-horseradish emulsion (pairing, a 2006 Poggio sangiovese). Tender to the
point of effortlessly falling apart, it was a great example of just how to sear beef. Despite how full I was getting, the dish compelled me to
continue, enticed by the sheer joy of restrained sweetness of beets mixed with
oh-so-savory meat.
Capping the night for Texas was a
pumpkin soufflé with gingerbread ice cream (pairing, a 2001 Volpaia
sangiovese), whereas mine was a pecan pie (paired
with a 1999 muscat from Greece). Both were wonderfully autumnal with delightfully subtle sweet notes hiding behind the warmth. The gingerbread and pumpkin combo was my favorite, as it was something both inventive but altogether familiar, but each was a testament to Matthew Peterson's skill with dessert.
The Verdict
Maybe not the superlative of superlatives, but a wonderful meal with few missteps.
Food Rating: **** (out of 5)
Date Rating: 4 Hearts
(out of 5)
Dress Code: Business
Bar Rating: Classy Crowd to Suits Scene
Vibe: Calm
Cost: $$$$$ (out of 5) (more than $100 for two)
Pairing: Just two more weeks left for the Hirshhorn's exhibit "Shadows," a 102 painting series from Andy Warhol, shown all at once for the first time. With the curved wall of the museum, it's a breathtaking display of color and art.